| Documenta X | Documents 3 | | Ostfildern: Cantz, 1997 | Reference |
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| Documenta 11_Platform5 | Exhibition Venues | | Ostfildern: Hatje Cantz, 2002 | Reference |
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| Documenta 11_Platform 5 | Exhibition Catalogue | | Ostfildern-Ruit: Hatje Cantz, 2002 | Reference |
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| Critiques of pure abstraction | A traveling exhibition | | New York, NY: Independent Curators Incorporated, 1995 | Reference |
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| Painting | The extended field | | Stockholm: Rooseum, [1996] | Reference |
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| Mapping a City | | | Ostfildern-Ruit: Hatje Cantz, 2004 | Reference |
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| Supernatural | Neil Campbell, Beau Dick | | Vancouver, BC: Contemporary Art Gallery, 2004 | Monographs |
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| Surrealism | | | London: Phaidon, 2004 | Reference |
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| The history of surrealist painting | | | New York, NY: Grove Press, [1960] | Reference |
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| Shark infested waters | The Saatchi Collection of British art in the 90s | | London: Zwemmer, 1994 | Reference |
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| Situation comedy | Humor in recent art | | New York, NY: Independent Curators International, 2005 | Reference |
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| Six years | The dematerialization of the art object from 1966 to 1972 | | Berkeley, CA: University of California Press, [1997] | Reference |
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| Public offerings | | | Los Angeles: Museum of Contemporary Art, Los Angeles, 2001 | Reference |
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| Ready to shoot | Fernsehgalerie Gerry Schum, Videogalerie Schum | | Dusseldorf: Snoeck, 2003 | Reference |
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| Real life magazine | Selected writings and projects 1979-1994 | | New York, NY: Primary Information, 2007 | Reference |
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| Recording conceptual art | Early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner, by Patricia Norvell | | Berkeley, CA: University of California Press, 2001 | Reference |
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| Scene of the crime | | | Cambridge, MA: Published in association with the MIT Press, 1997 | Reference |
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| Pressplay | Contemporary artists in conversation | | London: Phaidon, 2005 | Reference |
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| Primary documents | A sourcebook for Eastern and Central European art since the 1950s | | New York, NY: Museum of Modern Art, 2002 | Reference |
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| InSITE97 | Private time in public space | | San Diego: Distributed by Trucatiche, 1998 | Reference |
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| The picture history of photography | From the earliest beginnings to the present day | | New York, NY: H. N. Abrams, [1969] | Reference |
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| Painting zero degree | | | New York, NY: Independent Curators International, 2000 | Reference |
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| Performative installation | | | Cologne: Snoeck Verlagsgesellschaft mbH, 2003 | Reference |
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| Out of actions | Between performance and the object 1949-1979 | | Los Angeles: Thames and Hudson, 1998 | Rare / Fragile Ref |
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| Painting as model | | | Cambridge, MA: MIT Press, 1990 | Monographs |
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| Documenta 7 | Kassel volume 1 | | Kassel: D ₊ V P. Dierichs, 1982 | Reference |
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| Paloma Varga Weisz | | | Frankfurt am Main: Revolver, 2004 | Monographs |
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| Soviet dis-union | Socialist realist & nonconformist art | | Minneapolis, MN: Museum of Russian Art, 2006 | Reference |
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| Richard Artschwager | The hydraulic door check | | Köln: W. König, 2002 | Monographs |
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| Bik Van der Pol | With love from the kitchen | | Rotterdam: Nai Publishers, 2005 | Monographs |
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| Did someone say participate? | An atlas of spatial practice | | Cambridge, MA: MIT Press, 2006 | Reference |
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| Helter skelter | L.A. art in the 1990s | | Los Angeles: Museum of Contemporary Art, 1992 | Rare / Fragile Ref |
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| Ger Van Elk | On the nature of genre | | Düsseldorf: Kunstverein für die Rheinlande und Westfalen, 1988 | Monographs |
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| Piotr Uklanski | Earth, wind and fire | | Ostfildern: Distributed by] D.A.P, 2004 | Monographs |
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| Piotr Uklanski | The Nazis | | Zurich: Distributed in North America by D.A.P, 1999 | Rare / Fragile Mono |
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| Richard Tuttle, in parts, 1998-2001 | | | Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 2001 | Rare / Fragile Mono |
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| Philip-Lorca diCorcia | | | Boston, MA: Institute of Contemporary Art, Boston, 2007 | Monographs |
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| Duel | | | New York, NY: Artists Space, 2000 | Monographs |
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| John Tremblay | | | Paris: Sujet objet, 2005 | Monographs |
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| Bill Traylor, 1854-1949 | Deep blues | | New Haven, CT: Yale University Press, 1999 | Monographs |
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