| Catalogue | Ron Terada | | Vancouver, BC: Contemporary Art Gallery, 2003 | Monographs |
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| Paul Thek | The wonderful world that almost was | | Rotterdam, NL: Witte de With, Center for Contemporary Art, 1995 | Rare / Fragile Mono |
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| Paul Thek Processions | The Tower of Babel, Uncle Tom's Cabin, Bandwagon, The Burning Bridge, Bo Jangles, Jack Lantern, Paul Thek, Zhivago | | Philadelphia: The Institute, 1977 | Rare / Fragile Mono |
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| Rirkrit Tiravanija | | | Köln: Distribution outside Europe, D.A.P, 2003 | Monographs |
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| Rudolf Stingel | | | Chicago: In association with Yale University Press, 2007 | Monographs |
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| Sean Snyder | | | Köln: Portikus, 2005 | Monographs |
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| Nancy Spero | | | London: Phaidon, 1996 | Monographs |
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| Fluxus codex | | | Detroit, MI: Gilbert and Lila Silverman Fluxus Collection in association with H.N. Abrams, New York, 1988 | Reference |
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| Documenta IX | Essays, Biographien | | Stuttgart: Edition Cantz, 1992 | Reference |
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| Politics, poetics | Documenta X - the book | | Ostfildern-Ruit: Cantz, 1997 | Reference |
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| Documenta X | Documents 1 | | Ostfildern: Cantz, 1996-c1997 | Reference |
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| 50 years Documenta, 1955-2005 | | | Göttingen: Steidl, 2005 | Reference |
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| Binationale | German art of the late 80s, American art of the late 80s | | Cologne: DuMont, 1988 | Reference |
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| Dada | Zurich, Berlin, Hannover, Cologne, New York, Paris | | Washington, DC: National Gallery of Art in association with D.A.P./ Distributed Art Publishers, New York, 2005 | Reference |
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| Cleavage | Essays on sex, stars, and aesthetics | | New York, NY: Ballantine Books, 2000 | Reference |
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| Cities on the move | | | Ostfildern-Ruit: Distribution in the US, D.A.P. Distributed Art Publishers, 1997 | Reference |
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| Bounce | Mark Bradford & Glenn Kaino | | Los Angeles: California Institute of the Arts/REDCAT, 2004 | Monographs |
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| Beyond recognition | representation, power, and culture | | Berkeley, CA: University of California Press, 1992 | Reference |
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| Belief and doubt | | | Aspen, CO: Aspen Art Museum, 2006 | Reference |
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| As painting | division and displacement | | Columbus, OH: MIT Press, 2001 | Reference |
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| Arte povera | | | London: Phaidon, 1999 | Reference |
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| Art in theory 1900-2000 | An anthology of changing ideas | | Malden, MA: Blackwell Pub, 2003 | Reference |
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| Art in theory 1815-1900 | An anthology of changing ideas | | Oxford, UK: Blackwell Publishers, 2001, c1998 | Reference |
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| Art in theory 1648-1815 | An anthology of changing ideas | | Oxford, UK: Blackwell Publishers, 2000 | Reference |
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| Art at the turn of the millennium | | | Köln: Taschen, 1999 | Reference |
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| Air guitar | essays on art & democracy | | Los Angeles: Distributed by D.A.P. (Distributed Art Publishers, 1997 | Reference |
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| Art | a sex book | | New York: Thames & Hudson, 2003 | Reference |
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| 40 yearsvideoart.de | Digital heritage : video art in Germany from 1963 to the present | | Ostfildern, Germany: USA/North America, D.A.P./Distributed Art Publishers [distributor, 2006 | Reference |
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| Art since 1900 | Modernism, antimodernism, postmodernism | | New York, NY: Thames & Hudson, 2004 | Reference |
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| Conceptual art and the politics of publicity | | | Cambridge, MA: MIT Press, 2003 | Reference |
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| Cream 3 | Contemporary art in culture, 10 curators, 10 contemporary artists, 10 source artists | | London: Phaidon Press, 2003 | Reference |
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| Global conceptualism | Points of origin 1950s-1980s | | New York, NY: Available through D.A.P./Distributed Art Publishers, 1999 | Reference |
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| Double consciousness | Black conceptual art since 1970 | | Houston, TX: Distributed by Distributed Art Publishers, 2005 | Reference |
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| Double exposures | the subject of cultural analysis | | New York, NY: Routledge, 1996 | Reference |
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| Drawings | The pluralist decade | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1980 | Reference |
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| Drawings | The pluralist decade | | Philadelphia: Institute of Contemporary Art, 1980 | Reference |
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| The East Village scene | October 12-December 2, 1984 | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1984 | Reference |
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| Face-off | The portrait in recent art | | Philadelphia: Institute of Contemporary Art, 1994 | Reference |
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| Faces in the crowd | Picturing modern life from Manet to today | | Milan: Distributed in North America by Rizzoli, 2004 | Reference |
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| Fantastic politics | Art in times of crisis | | Oslo: Nasjonalmuseet for kunst, arkitektur og design, 2006 | Reference |
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