| Michael Asher | George Washington at the Art Institute of Chicago, 1979 and 2005 | | Chicago: Distributed by Yale University Press, 2006 | Monographs |
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| Artschwager, Richard | | | New York, NY: Whitney Museum of American Art in association with W.W. Norton, 1988 | Monographs |
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| Art & Language in practice | Vol. 1- Illustrated handbook | | Barcelona: Fundacià³ Antoni Tapies, 1999 | Monographs |
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| Roy Arden | Fragments, photographs, 1981-1985 | | North Vancouver, BC: Presentation House Gallery, 2002 | Monographs |
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| John M Armleder | 7.4. - 16.5.1993, Wiener Secession | | Wien: Wiener Secession, 1993 | Monographs |
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| Eleanor Antin | | | Los Angeles: Los Angeles County Museum of Art, 1999 | Monographs |
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| Francis Alÿs | The last clown | | Montréal: Galerie de l'UQAM, 2000 | Monographs |
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| Metamorphosis | | | MontreÂal, QC: Galerie de l'UQAM, 2006 | Monographs |
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| Darren Almond | 50 moons at a time; Fifty moons at a time | | Cologne: Verlag der Buchhandlung Walter König, 2004 | Monographs |
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| Eija-Liisa Ahtila | Fantasized persons and taped conversations | | Helsinki: Crystal Eye Ltd, 2002 | Monographs |
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| Bordering on fiction | Chantal Akerman's D'Est | | Minneapolis, MN: Distributed Art Publishers, 1995 | Monographs |
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| Bas Jan Ader | Please don't leave me | | Rotterdam, NL: Museum Boijmans Van Beuningen, 2006 | Monographs |
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| Georges Adeagbo | Archaeology of motivations, re-writing history | | Ostfildern-Ruit, Germany: Hatje Cantz, 2001 | Monographs |
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| Museum highlights | The writings of Andrea Fraser | | Cambridge, MA: MIT Press, 2005 | Monographs |
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| Make everything new | A project on communism | | London: Book Works, 2006 | Reference |
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| Raumfurraum | Katharina Grosse, Hendrik Krawen, Rita McBride, Therese Schult, Dirk Skreber, Lee Thomas Tayor, Paloma Varga Weisz | | Köln: König, 2005 | Reference |
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| Recent pasts | Art in Southern California from the 90s to now | | Zurich: JRP/Ringier, 2005 | Reference |
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| Theory of the Derive and other situationist writings on the city | | | Barcelona: Museu d'Art Contemporani de Barcelona, 1996 | Reference |
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| Mapping sitting | On portraiture and photography | | Beirut, Lebanon: Mind the gap; Fondation Arabe pour l'Imgae, 2002 | Reference |
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| Charles Gaines & Edgar Arceneaux | Snake River | | Los Angeles: California Institute of the Arts/REDCAT, 2006 | Monographs |
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| Snap judgments | New positions in contemporary African photography | | Gottingen: Steidl, 2006 | Reference |
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| Jo Spence | Beyond the perfect image : photography, subjectivity, antagonism | | Barcelona: Museu d'Art Contemporani de Barcelona, 2005 | Monographs |
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| New art of Brazil | | | Minneapolis, MN: Walker Art Center, 1962 | Reference |
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| Thomas Schutte | Scenewright, Gloria in memoria, In medias res | | New York, NY: Richter Verlag, 2002 | Monographs |
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| Four musical minimalists | La Monte Young, Terry Riley, Steve Reich, Philip Glass | | Cambridge, UK: Cambridge University Press, 2000 | Reference |
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| On the museum's ruins | | | Cambridge, MA: MIT Press, 1993 | Reference |
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| John Cage | An Anthology | | New York, NY: Praeger, [1970] | Monographs |
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| Interarchive | Archival practices and sites in the contemporary art field | | Cologne: Verlag der Buchhandlung Walther König, 2002 | Reference |
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| The Duchamp effect | Essays, interviews, round table | | Cambridge, MA: MIT Press, 1996 | Reference |
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| Women artists at the millennium | | | Cambridge, MA: MIT Press, 2006 | Reference |
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| Zero gravity | | | Köln: W. König, 2001 | Reference |
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| L'écho des limbes | David Altmejd, Patrice Duhamel, Michael A. Robinson, Eve K. Tremblay | | Montréal: Leonard & Bina Ellen Art Gallery, [2005] | Reference |
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| Decoys and Disruptions | Selected writings 1975-2001 | | Cambridge, MA: MIT Press, 2004 | Monographs |
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| Without boundary | Seventeen ways of looking | | New York, NY: Museum of Modern Art, 2006 | Reference |
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| Art after conceptual art | | | Vienna, Austria: MIT Press, 2006 | Reference |
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| Mixed Doubles | Maria Eichhorn, Marcus Geiger, Bethan Huws, Hartmut Skerbisch | | Wien: Wiener Secession, 1992 | Reference |
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| Veronica's Revenge | Contemporary Perspectives on Photography | | Zürich: Scalo, 1998 | Reference |
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| Portikus Frankfurt am Main, 1987-1997 | | | Frankfurt am Main: Portikus, 1997 | Reference |
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| Out of order, out of sight | Volume I : selected writings in meta-art 1968-1992 | | Cambridge, MA: MIT Press, 1996 | Monographs |
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| Out of order, out of sight | Volume II : selected writings in art criticism 1967-1992 | | Cambridge, MA: MIT Press, 1996 | Monographs |
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