Lacaton and Vassal: 1993-2017 | El Croquis 177/178 | | Madrid: El Croquis Editorial, 2017 | Monographs |
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The charged void: urbanism | Alison and Peter Smithson | | New York: Monacelli Press, Inc., 2005 | Monographs |
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The space between | Alison and Peter Smithson | | Köln: Verlag der Buchhandlung Walther König, 2017 | Monographs |
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Alison and Peter Smithson | A critical anthology | | Barcelona: Ediciones Polígrafa, 2011 | Monographs |
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Dictee | | | Berkeley, California : University of California Press, 2001 | Monographs |
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Object objects | Shana Kaplow | | Saint Paul : Shana Kaplow , 2019 | Monographs |
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Thomas Frontini | | | Ghent: AsaMER, imprint of Borgerhoff & Lamberigts, 2019 | Monographs |
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The young and evil | Queer modernism in New York, 1930-1955 | | New York: David Zwirner Books, 2019 | Reference |
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Teresa Burga | September 5- October 12, 2019 | | New York: Alexander Gray Associates , 2019 | Monographs |
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Transmissions | Nick Mauss | | Brooklyn: Dancing Foxes Press , 2020 | Monographs |
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The color out of space | Rosa Barba | | Cambridge: MIT List Visual Arts Center , 2016 | Monographs |
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Tcheu Siong | The genie behind the scissors | | Luang Prabang: Project Space, 2010 | Monographs |
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Tcheu Siong | The spirits guide the scissors | | Luang Prabang: Project Space, 2020 | Monographs |
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The pavilion | Pleasure and polemics in architecture | | Ostfildern: Hatje Cantz Verlag, 2009 | Reference |
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Masahisa Fukase | Ravens | | London, UK: MACK , 2021 | Monographs |
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Volume 60, Issue 6 | | | New York: Artforum International Magazine, Inc., 2022 | Periodicals |
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Disss-co (a fragment) | | | Berlin: Distanz, 2020 | Monographs |
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Sadie Benning | Shared eye | | Chicago: The Renaissance Society at the University of Chicago, 2017 | Monographs |
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Mark Leckey | O' magic power of bleakness | | London: Tate Publishing, 2019 | Monographs |
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Barbara Hammer | Evidentiary bodies | | Munich: Hirmer Verlag GmbH, 2018 | Monographs |
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Isa Genzken | Projects for outside | | Berlin: Galerie Buchholz, 2020 | Monographs |
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Tarsila do Amaral | Cannibalizing modernism | | São Paulo: Museu de Arte de São Paulo Assis Chateaubriand, 2019 | Monographs |
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Whole earth field guide | | | Cambridge: The MIT Press, 2016 | Reference |
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Jasper Johns | Catalogue raisonné of painting and sculpture | | New York: The Wildenstein Plattner Institute, 2017 | Monographs |
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The clip-on method | | | [New York]: Cady Noland, Rhea Anastas, and Robert Snowden, 2021 | Monographs |
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Berlin-Wedding | Stadtlandschaft und menschen | | London: Koenig Books Ltd, 2019 | Monographs |
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John Cage: a mycological foray | Variations on mushrooms | | Los Angeles: Atelier Éditions, 2020 | Monographs |
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Bernardo Bader 2009-2019: fearlessness of the familiar | El Croquis 202 | | Madrid: El Croquis Editorial, 2019 | Monographs |
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6a architects 2009-2017: adjustments | El Croquis 192 | | Madrid: El Croquis Editorial, 2017 | Monographs |
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Lithium | | | Amsterdam: Roma Publications, 2020 | Monographs |
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Issue 1 | Hervé Guibert | | [Walthamstow]: [Tinted Window], [2018] | Periodicals |
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Black art notes | | | Brooklyn: Primary Information, 2020 | Reference |
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Voyeur | Volume 7 | | Köln: Verlag der Buchhandlung Walther König, 2021 | Monographs |
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Gene Beery: transmissions from logoscape ranch: pictures for internet, 2006-2017 | Song cycle no. 4 | | New York: Song Cycle, [2019] | Monographs |
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Bruno Pelassy | Song cycle no. 3 | | New York: Song Cycle, 2018 | Monographs |
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Head gallery: island of the flower | Song cycle no. 2 | | New York: Song Cycle, 2018 | Monographs |
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The angriest dog in the world | Song cycle no. 1 | | New York: Song Cycle, 2018 | Monographs |
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Sheila Hicks | Weaving as metaphor | | New York: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2018 | Monographs |
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Jana Euler | Where the engergy comes from | | London: Cabinet, [2017] | Monographs |
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David Wojnarowicz | In the shadow of forward motion | | Brooklyn: Primary Information, 2020 | Monographs |
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