| Franz West | Man with a ball | | London: Gagosian Gallery, 2012 | Monographs |
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| Issue 3 | Mimicries | | London: Effects, 2022 | Periodicals |
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| Peter Piller | Teilzeitkraft (bürozeichnungen) | | Zürich: JRP|Ringier, 2007 | Monographs |
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| Just above Midtown | Changing spaces | | New York: The Museum of Modern Art, 2022 | Reference |
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| Conceptual art in Britain | 1964-1979 | | London: Tate Publishing , 2016 | Reference |
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| Gerhard Richter | Painting after all | | New York: The Metropolitan Museum of Art, 2020 | Monographs |
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| Adam Pendleton | Who is Queen? a reader | | New York: The Museum of Modern Art, 2021 | Monographs |
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| 2038 | The new serenity | | Munich: Sorry Press, 2021 | Reference |
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| Jacqueline Humphries | Paintings | | Bielefeld: Kerber Verlag, 2000 | Monographs |
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| Jacqueline Humphries | jHΩ1:) | | New York: Gregory R. Miller & Co., 2022 | Monographs |
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| Volume 44, Issue 22 | | | London: London Review of Books, 2022 | Periodicals |
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| Ulla Wiggen | | | Stockholm: Art and Theory Publishing, 2022 | Monographs |
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| The pioneering work of Hermann Rosa | Purism in concept, form and materials | | Zurich: Niggli, 2017 | Monographs |
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| Albert Oehlen | Cows by the water | | Venice: Marsilio, 2018 | Monographs |
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| Reconstructions | Architecture and blackness in America | | New York: The Museum of Modern Art, 2021 | Reference |
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| Volume 44, Issue 21 | | | London: London Review of Books, 2022 | Periodicals |
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| Volume 61, Issue 3 | | | New York: Artforum International Magazine, Inc., 2022 | Periodicals |
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| Issue 53 | | | London: Afterall, 2022 | Periodicals |
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| Volume 44, Issue 20 | | | London: London Review of Books, 2022 | Periodicals |
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| Volume 44, Issue 19 | | | London Review of Books, 2022 | Periodicals |
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| Issue 73 | Vulnerability | | Vienna: Rita Vitorelli, 2022 | Monographs |
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| Volume 55, Issue 340 | | | Milan: Politi Seganfreddo S.R.L., 2022 | Periodicals |
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| Huma Bhabha | They live | | Boston: The Institute of Contemporary Art/Boston, 2019 | Monographs |
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| Lois Dodd | | | London: Lund Humphries, 2017 | Monographs |
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| Martine Symns: neural swamp | The future fields commission in time-based media | | Philadelphia: Philadelphia Museum of Art, 2022 | Monographs |
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| Tuesday or September or the end | | | New York: Capricious, 2022 | Monographs |
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| Art and social change | A critical reader | | London: Tate Publishing, 2007 | Reference |
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| Volume 44, Issue 18 | | | London Review of Books, 2022 | Periodicals |
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| Volume 29, Issue 3 | | | New York: Artforum International Magazine, Inc., 2022 | Periodicals |
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| Volume 61, Issue 2 | | | New York: Artforum International Magazine, Inc., 2022 | Periodicals |
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| Frei Otto, Carlfried Mutschler | Multihalle | | Leipzig: Spector Books, 2017 | Monographs |
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| Frei Otto | Thinking by modeling | | Leipzig: Spector Books, 2017 | Monographs |
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| The urban fact | A reference book on Aldo Rossi | | Köln: Verlag der Buchhandlung/Walther und Franz König, 2021 | Monographs |
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| Volume 44, Issue 17 | | | London Review of Books, 2022 | Periodicals |
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| Issue 10 | | | Geneva: MAMCO, 2022 | Periodicals |
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| Volume 61, Issue 1 | | | New York: Artforum International Magazine, Inc., 2022 | Periodicals |
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| Issue 72 | Art and crime | | Vienna: Rita Vitorelli, 2022 | Periodicals |
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| Volume 32, Issue 127 | Resortization | | Berlin: Texte zur Kunst, 2022 | Periodicals |
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| Volume 44, Issue 16 | | | London: London Review of Books, 2022 | Periodicals |
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| Volume 44, Issue 15 | | | London: London Review of Books, 2022 | Periodicals |
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