| Terence Gower | The good neighbour | | New York: Americas Society, 2021 | Monographs |
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| This must be the place | Latin American artists in New York 1965-75 | | New York: Americas Society, 2021 | Reference |
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| Carnegie international 57th edition 2018 | The guide | | Pittsburgh: Carnegie Museum of Art, 2018 | Reference |
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| Why call it labor? | On motherhood and art work | | Belgium: Mophradat, 2020 | Reference |
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| Out of bounds | The collected writings of Marcia Tucker | | Los Angeles: Getty Research Institute, Los Angeles, 2019 | Monographs |
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| Giovanni Intra | Clinic of phantasmns: writings 1994-2002 | | Auckland: Bouncy Castle, 2022 | Monographs |
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| The clown egg register | | | San Francisco: Chronicle Books, 2018 | Reference |
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| Bruce Nauman: mapping the studio | Werk der Emanuel Hoffmann-Stiftung, der öffentlichen kunstsammlung Basel und eine neue videoinstallation | | Basel: Museum für Gegenwartskunst Basel, 2002 | Monographs |
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| John Armleder | Out! (out!) | | Zurich: JRP|Ringier, 2015 | Monographs |
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| Art and social function | | | London: ...ellipsis, 2000 | Monographs |
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| Das Fundbuero | The Leipziger zentrale, year 1 | | Leipzig: Das Fundbuero eV, 2012 | Monographs |
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| Irma Boom: book manifest | Books in reverse chronological order 2022-1986 | | Köln: Verlag der Buchhandlung Walther und Franz König, 2022 | Monographs |
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| Mary Heilman | The all night movie | | Brooklyn: Primary Information , 2022 | Monographs |
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| Tala Madani | Biscuits! | | Los Angeles: The Museum of Contemporary Art , 2022 | Monographs |
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| Women between buildings | | | Hamburg: Kunstverein in Hamburg , 2018 | Monographs |
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| 525 Gramos | Jill Magid: la transformación de Luis Barragán | | [Mexico City]: Artes de México, 2022 | Monographs |
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| Luis Barragán | Arquitecto de la luz y el silencio | | Mexico City: Ediciones Tecolote, 2019 | Monographs |
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| < | Gabriel Kuri | | [Brussels]: Triangle Books, 2020 | Monographs |
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| Fama & fortune bulletin | Incontro con Franz West + werkstatt | | Vienna: Verlag Pakesch & Schlebrügge, 1999 | Monographs |
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| After the observatory | | | New York: Paula Cooper Gallery, 2003 | Reference |
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| Variable piece #101 | West Germany, March 1973 | | New York: Hassla Books, 2015 | Monographs |
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| B. Wurtz | Daily life 1970-1993 | | New York: Feature, 1993 | Monographs |
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| Identity pitches | Stine Janvin and Cory Arcangel | | Brooklyn: Primary Information, 2022 | Monographs |
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| Clara Porset | Diseño y pensamiento | | [Mexico City]: Fundación Jumex Arte Contemporáneo, 2020 | Monographs |
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| Carla Fernández | La diseñadora descalza: un taller para desaprender | | [Mexico City]: Fundación Jumex Arte Contemporáneo, 2016 | Monographs |
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| Michael Smith | Imagine the view from here! | | Mexico City: Fundación Jumex Arte Contemporáneo, 2018 | Monographs |
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| Olivier Mosset | Born in Bern | | Bern: Kunsthalle Bern, 2011 | Monographs |
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| Tenet | Wall begins to know itself | | New York: CUE Art Foundation, 2022 | Monographs |
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| Rachel Rose | Enclosure | | [New York]: Gladstone Gallery, 2022 | Monographs |
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| In the name of image | Figurative representation in Islamic and Christian cultures | | Berlin: Hatje Cantz, 2022 | Reference |
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| Thomas Hirschhorn | Swiss army knife | | Bern: Kunsthalle Bern, 1998 | Monographs |
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| Robert Grosvenor | | | Miami : Institute of Contemporary Art , 2021 | Monographs |
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| Black phoenix | Journal of contemporary art & culture in the third world | | New York : Primary Information , 2022 | Reference |
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| The curatorial conundrum | What to study? what to research? what to practice? | | Zurich : LUMA Foundation , 2016 | Reference |
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| Issue 11 | | | Geneva: MAMCO, 2023 | Periodicals |
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| Loretta Fahrenholz | Europa | | Berlin : The Green Box , 2011 | Monographs |
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| Beautiful gruesome and true | Artists at work in the face of war | | New York : Columbia Global Reports , 2022 | Reference |
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| Peter Friedl | The curse of the iguana: on genre and power | | Stuttgart: Revolver - Archiv für aktuelle Kunst, 2000 | Monographs |
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| Let's take back our space | | | Southend-on-Sea: Focal Point Gallery , 2010 | Monographs |
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| Nought to sixty | 60 projects, 6 months | | London: Institute of Contemporary Arts , 2009 | Reference |
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