| Olivier Mosset | | | Geneva : JRP|Editions, 2020 | Monographs |
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| Sue Williams | | | Zurich: JRP|Ringier, 2015 | Monographs |
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| Christian Bérard | Eccentric modernist | | Paris: Flammarion S.A., 2022 | Monographs |
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| Amy Sherald | The world we make | | Zurich: Hauser & Wirth Publishers, 2022 | Monographs |
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| Inquiries | | | Lawrence: Spencer Museum of Art, the University of Kansas, 2019 | Reference |
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| Blank forms 02 | Music from the world tomorrow | | Brooklyn : Blank Forms , 2018 | Reference |
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| Your bright future | 12 contemporary artists from Korea | | Houston: Museum of Fine Arts, 2009 | Reference |
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| Home | So different, so appealing | | Los Angeles: UCLA Chicano Studies Research Center Press, 2017 | Reference |
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| Visionary New England | | | Lincoln: DeCordova Sculpture Park and Museum, 2020 | Reference |
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| Sublime spaces & visionary worlds | Built environments of vernacular artists | | New York: Princeton Architectural Press, 2007 | Reference |
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| Theanyspacewhatever | | | New York: Guggenheim Museum , 2008 | Reference |
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| Encountering the spiritual in contemporary art | | | Kansas City : The Nelson-Atkins Museum of Art, 2018 | Reference |
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| The esopus reader | A collection of writing from Esopus, 2003-2018 | | Brooklyn: Esopus Books, 2022 | Reference |
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| Benjamin Patterson | Born in the state of FLUX/us | | Houston : Contemporary Arts Museum Houston , 2012 | Monographs |
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| More real? | Art in the age of truthiness | | Minneapolis: Minneapolis Institute of Arts, 2012 | Reference |
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| DeLanda, Manuel | Ism ism | | [Atlanta]: J&L Books, 2018 | Monographs |
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| OfficeUs agenda | | | Zurich: Lars Müller Publishers, 2014 | Reference |
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| BOMB | The author interviews | | New York : Soho Press, 2014 | Reference |
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| Diana Al-Hadid | | | Greensboro: Weatherspoon Art Museum , 2013 | Monographs |
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| Feallan and fallow | Alison Saar | | New York : Madison Square Park Conservancy , 2011 | Monographs |
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| Shirin Neshat | | | Detroit: Detroit Institute of Arts , 2013 | Monographs |
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| Arts/industry | Collaboration and revelation | | Sheboygan : John Michael Kohler Arts Center, 2014 | Reference |
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| Richard Rezac | Address | | New York : The Renaissance Society at the University of Chicago , 2018 | Monographs |
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| Maryanne Amacher | Selected writings and interviews | | Brooklyn : Blank Forms Editions , 2020 | Monographs |
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| Jonas Mekas | The camera was always running | | New Haven : Yale University Press, 2021 | Monographs |
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| Alison Saar | Of aether and earthe | | Claremont: Benton Museum of Art at Pomona College , 2020 | Monographs |
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| Material reform | Building for a post-carbon future | | [London]: MACK, 2022 | Reference |
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| Scorched feet / pies quemados | Issue 2 | | [Minneapolis]: Scorched Feet / Pies Quemados, 2023 | Periodicals |
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| Volume 56, Issue 342 | | | Milan: Politi Seganfreddo S.R.L., 2021 | Periodicals |
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| Volume 55, Issue 341 | | | Milan: Politi Seganfreddo S.R.L., 2022 | Periodicals |
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| Joseph Beuys | Aktionen 1963 - 1986 | | Köln: Verlag der Buchhandlung Walther und Franz König, 2022 | Monographs |
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| Amelie von Wulffen | Ausstellungen / exhibitions 2018-2022 | | Köln: Verlag der Buchhandlung Walther und Franz König, 2022 | Monographs |
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| Touch wood | Material, architecture, future | | Zurich : Lars Müller Publishers, 2023 | Reference |
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| New York 1962-1964 | | | New York : The Jewish Museum, 2022 | Oversized |
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| Momentum of light | | | Zurich: Lars Müller Publishing, 2021 | Monographs |
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| Sam Contis | Overpass | | New York : Aperture, 2022 | Monographs |
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| 2G: Leopold Banchini | | | Cologne: Verlag der Buchhandlung Walther und Franz König, 2022 | Monographs |
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| Allan McCollum | Works since 1969 | | Miami : ICA Miami, 2021 | Monographs |
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| Das Institut | | | London: Serpentine Gallery, 2016 | Monographs |
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| General Idea | | | Ottawa: National Gallery of Canada, 2022 | Monographs |
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