| Robert Grosvenor | | | Miami : Institute of Contemporary Art , 2021 | Monographs |
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| Black phoenix | Journal of contemporary art & culture in the third world | | New York : Primary Information , 2022 | Reference |
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| The curatorial conundrum | What to study? what to research? what to practice? | | Zurich : LUMA Foundation , 2016 | Reference |
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| Issue 11 | | | Geneva: MAMCO, 2023 | Periodicals |
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| Loretta Fahrenholz | Europa | | Berlin : The Green Box , 2011 | Monographs |
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| Beautiful gruesome and true | Artists at work in the face of war | | New York : Columbia Global Reports , 2022 | Reference |
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| Peter Friedl | The curse of the iguana: on genre and power | | Stuttgart: Revolver - Archiv für aktuelle Kunst, 2000 | Monographs |
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| Let's take back our space | | | Southend-on-Sea: Focal Point Gallery , 2010 | Monographs |
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| Nought to sixty | 60 projects, 6 months | | London: Institute of Contemporary Arts , 2009 | Reference |
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| Constance DeJong | Reader | | Brooklyn : Primary Information , 2022 | Monographs |
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| The White Road | Journey into an obsession | | New York: Picador , 2016 | Reference |
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| Anthony Pearson | | | Los Angeles: Inventory Press, 2019 | Monographs |
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| William Wegman | Writing by artist | | Brooklyn: Primary Information , 2022 | Monographs |
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| Archiv Peter Piller | Materialien (B) peripheriewanderung Bonn | | Bonn: Beethovenstiftung für Kunst und Kultur, 2007 | Monographs |
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| Archiv Peter Piller | Materialien (A) dauerhaftigkeit/duurzaamheid | | Rotterdam: Witte de With, center for contemporary art, 2005 | Monographs |
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| Principles of neo-plastic | Bauhausbücher 6 | | Zurich: Lars Müller Publishers, 2020 | Reference |
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| Walking, finding, sharing | A graphic companion to documenta fifteen | | Berlin: Hatje Cantz Verlag, 2022 | Reference |
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| Documenta fifteen | Handbook | | Berlin: Hatje Cantz Verlag, 2022 | Reference |
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| Documenta fifteen | Majalah lumbung: a magazine on harvesting and sharing | | Berlin: Hatje Cantz Verlag, 2022 | Reference |
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| Maria Eichhorn | Money at the Kunsthalle Bern | | Bern: Kunsthalle Bern, 2001-2002 | Monographs |
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| Whitney Claflin: food & spirits | Song cycle no. 5 | | New York: Song Cycle, 2022 | Monographs |
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| Issue 2 | Opacity and radiance | | London: Effects, 2019 | Periodicals |
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| Alexandra Hunts | Can't yet see | | Copenhagen: Art Hub Copenhagen, 2022 | Monographs |
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| Thoravej 29 | | | Copenhagen: Art Hub Copenhagen, 2022 | Reference |
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| Steffen Jørgensen | | | Copenhagen: Art Hub Copenhagen, 2022 | Monographs |
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| Mia Edelgart | | | Copenhagen: Art Hub Copenhagen, 2022 | Monographs |
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| Kasper Hesselbjerg | | | Copenhagen: Art Hub Copenhagen, 2022 | Monographs |
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| Adam Khalil | | | Copenhagen: Art Hub Copenhagen, 2022 | Monographs |
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| A rock, a river, a street | | | Brooklyn: Primary Information, 2022 | Monographs |
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| Christian Schad | Retrospective: life and work in context | | Vienna: Leopold Museum, 2008 | Monographs |
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| Batia Suter | Parallel encyclopedia #1 | | [Amsterdam]: Roma Publications, 2021 | Monographs |
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| Rudolf Stingel | | | Riehen/Basel: Fondation Beyeler , 2019 | Monographs |
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| Constance DeJong | Modern love | | Brooklyn: Primary Information, 2017 | Monographs |
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| Robert Grosvenor | | | Chicago: The University of Chicago Press, 2017 | Monographs |
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| Treasures of Ukraine | A nation's cultural heritage | | London: Thames & Hudson, 2022 | Reference |
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| Recapturing Congo | African stories and colonial pictures | | Tielt: Lannoo Publishers, 2022 | Reference |
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| Wiederaufnahme | Retake | | Frankfurt: Revolver, 2001 | Reference |
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| Rodrigo Hernández | El espejo | | Mexico City: Fundación Jumex Arte Contemporáneo, 2022 | Monographs |
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| Yellow book | | | Berlin: Hatje Cantz, 2019 | Monographs |
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| Assembling a black counter culture | | | New York : Primary Information, 2022 | Reference |
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