| R.H. Quaytman | An evening, chapter 32 | | Vienna: Secession, 2017 | Monographs |
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| Derek Jarman's garden | | | London: Thames & Hudson, 2018 | Monographs |
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| Klara Liden | GTG TTYL | | Vienna: Secession, 2019 | Monographs |
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| Avery Singer | Sailor | | Vienna: Secession, 2016 | Monographs |
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| Sur moderno | Journeys of abstraction, the Patricia Phelps de Cisneros gift | | New York: The Museum of Modern Art, 2019 | Reference |
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| Huang Yong Ping | Bâton serpent | | Milan: Mousse Publishing, 2015 | Monographs |
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| Common pavilions | The national pavilions in the Giardini of the Venice Biennale in essays and photographs, 13th International Architecture Exhibition, Venice Biennale 2012 | | Zurich: Scheidegger & Spiess, 2013 | Oversized |
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| René d'Harnoncourt and the art of installation | | | New York: The Museum of Modern Art, 2018 | Reference |
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| Society for Contemporary Art, 1940-2015 | | | Chicago: The Art Institute of Chicago, 2015 | Reference |
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| Whitewalling | art, race, and protest in 3 acts | | New York: Badlands Unlimited, 2018 | Reference |
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| Echo | Sharon Hayes | | Stockholm: Moderna Museet, 2019 | Monographs |
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| Nil Yalter | Exile is a hard job | | Cologne: Verlag der Buchhandlung Walther König, 2019 | Monographs |
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| Made in L.A. 2016 | a, the, though, only | | Los Angeles: Hammer Museum, University of California, 2016 | Reference |
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| A new fascism? | | | London: Koenig Books, 2018 | Reference |
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| Issue 62 | The 2010s | | Vienna: Rita Vitorelli, 2020 | Periodicals |
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| Volume 58, Issue 6 | | | New York, NY: Artforum International Magazine, Inc., 2020 | Periodicals |
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| Volume 42, Issue 3 | | | London: London Review of Books, 2020 | Periodicals |
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| Volume 42, Issue 2 | | | London: London Review of Books, 2020 | Periodicals |
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| Volume 42, Issue 1 | | | London: London Review of Books, 2020 | Periodicals |
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| Volume 26, Issue 5 | | | New York, NY: Artforum International Magazine, Inc., 2020 | Periodicals |
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| Boetti by Afghan people | Peshawar, Pakistan, 1990 | | Santa Monica: RAM Publications + Distribution, 2011 | Monographs |
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| Balkrishna Doshi | architecture for the people | | Berlin: Vitra Design Museum, 2019 | Monographs |
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| Leslie Thorton | Event | | Vienna: Secession, 2018 | Monographs |
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| Boon | | | Vienna: Secession, 2019 | Monographs |
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| Anne Speier | Keep it complex and keep the job | | Vienna: Secession, 2018 | Monographs |
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| Chadwick Rantanen | Ward | | Vienna: Secession, 2017 | Monographs |
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| Kerry James Marshall | who's afraid of red, black and green | | Vienna: Secession, 2012 | Monographs |
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| Ericka Beckman | game mechanics, game mechanics, mechanics, chance mechanics, mechanics and games, game mechanics | | Vienna: Secession, 2017 | Monographs |
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| Cao Fei | Splendid river, a text and drawing book | | Vienna: Secession, 2015 | Monographs |
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| NOB | Sarah Lucas | | Vienna: Secession, 2013 | Monographs |
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| All things are done by money | Rosalind Nashashibi, Elena NarbutaitÄ— | | Vienna: Secession, 2019 | Monographs |
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| Other Mechanisms | | | Vienna: Secession, 2018 | Reference |
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| Liz Deschenes | | | Vienna: Secession, 2012 | Monographs |
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| Nicole Eisenman | Dark light | | Berlin: Secession, 2017 | Monographs |
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| Lutz Bacher | The gift | | Vienna: Secession, 2016 | Monographs |
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| Sub Rosa | | | Vienna: Secession, 2019 | Monographs |
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| Drinks | | | Vienna: Secession, 2016 | Monographs |
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| member: Pope.L | 1978–2001 | | New York: Museum of Modern Art, 2019 | Monographs |
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| Kara Walker | Figa | | Athens: DESTE Foundation for Contemporary Art, 2018 | Monographs |
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| Harald Szeemann | individual methodology | | Zurich: JRP|Ringier, 2007 | Reference |
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