| Smile! You are in Spain studio | | | Portugal: Madragoa Gallery, 2018 | Monographs |
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| Plant volatiles | | | Berlin: BQ, 2016 | Monographs |
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| Journeys without arrivals | | | Eindhoven: Van Abbemuseum, 2017 | Monographs |
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| The mastication of Alina Szapocznikow | | | Vancouver, BC: Blank Cheque Press, 2018 | Monographs |
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| Carnegie International 1999/2000 | Artists' reader | | Pittsburgh: Carnegie Museum of Art, Carnegie Institute, 1999 | Reference |
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| Political practices of post-Yugoslav art | | | Belgrade: Prelom kolektiv | Reference |
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| Border crossings | Issue 146 | | Winnipeg: Arts Manitoba Publications, 2018 | Periodicals |
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| On ptg | | | Manawa: Poor Farm Press, 2012 | Monographs |
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| Why did the chicken cross the road? | Original jokes about the Suburban and Poor Farm by artists who have exhibited there | | Manawa: Poor Farm Press, 2012 | Monographs |
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| Front international: Cleveland triennial for contemporary art | An American city - eleven cultural exercises | | Cleveland: Front Exhibition Company, 2018 | Reference |
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| It's a heaven over there | | | Vancouver: Centre A, 2019 | Monographs |
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| The work of wind | Air, land, sea - Volume 1, Land | | Berlin: K. Verlag, 2018 | Reference |
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| New North Zurich | A public art project 2018 | | Zürich: JRP Ringier, 2018 | Reference |
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| Shedding life | | | New York City, New York: Thames and Hudson, 1997 | Monographs |
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| Cy Twombly catalogue raisonné of sculpture | Volume I 1946-1997 | | Munich: Planco, 1997 | Monographs |
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| Don't be far from me | | | London: Tenderbooks, 2017 | Monographs |
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| Yinka Shonibare MBE | | | Davidson: The American Library -- Van Every / Smith Galleries, 2018 | Monographs |
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| 33a Bienal de São Paulo | Affective affinities | | São Paulo: Fundaçao Bienal de São Paulo, 2018 | Reference |
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| Believe + doubt | | | Bregenz: Kunsthaus Bregenz, 2014 | Monographs |
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| No problem • no probléme | | | Stuttgart: Edition Patricia Schwarz and Galerie Kubinski, 1986 | Monographs |
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| Jason Moran | | | Minneapolis: Walker Art Center, 2018 | Monographs |
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| Intricate others | | | Porto: Porto Museu de Arte Contemporânea de Serralves, 2017 | Monographs |
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| BILL2 | | | Amsterdam: Roma Publications, 2019 | Periodicals |
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| Better be watching the clouds / I want to be able to welcome my father to my house | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| Entropy | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| The plant collection | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| Tomorrow's sculpture | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| Belgian colonial monuments | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| A die with twenty-six faces | | | Amsterdam: Roma Publications, 2019 | Reference |
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| The photographic II: signal or noise | | | Amsterdam: Roma Publications, 2019 | Reference |
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| Cardinal points | Notes on representation volume 10 | | Roma Publications | Monographs |
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| Cloud service | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| SS 2019 | | | Zurich: Provence Longtang e.V., 2019 | Periodicals |
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| Volume 21, Issue 4 | | | Los Angeles, CA: Project X Foundation for Art and Criticism, 2019 | Periodicals |
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| Friendly good | | | Amsterdam: Roma Publications, 2018 | Monographs |
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| Sculpture: forty years | | | New York City: Museum of Modern Art, 2007 | Monographs |
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| Origins and innovations | | | New York City: Hauser & Wirth Publishers, 2018 | Monographs |
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| Robert Ryman | Critical texts since 1967 | | London: Ridinghouse, 2009 | Monographs |
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| Backstroke of the west | | | New York City; Munich: DelMonico Books/Prestel, 2017 | Monographs |
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| Nightcleaners and '36 to '77 | | | London: Raven Row, 2018 | Monographs |
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