| Cloaca Maxima | | | Berlin; Stuttgart: Ostfildern: Cantz Verlag, 1994 | Reference |
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| From the stony river to the sky | | | Somerset: Hauser & Wirth Publishers, 2018 | Monographs |
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| Volume 41, Issue 12 | | | London: London Review of Books, 2019 | Periodicals |
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| Paintings - Katherine Bradford | | | New York: CANADA, 2018 | Monographs |
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| The transported man | MSU Broad | | East Lansing, Michigan: Eli and Edythe Broad Art Museum, Michigan State University, 2018 | Reference |
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| Media Works | N.E. Thing Co. LTD. : Co-Presidents, Iain & Ingrid Baxter | | Toronto: Art Metropole, 1992 | Monographs |
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| Rumors and murmurs | Martin Beck | | Cologne: Verlag der Buchhandlung Walther König, 2017 | Monographs |
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| Lutz Bacher | Open the kimono | | London: Koenig Books, 2018 | Monographs |
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| Nairy Baghramian | Déformation Professionnelle | | Minneapolis: Walker Art Center, 2018 | Monographs |
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| Adrián Balseca | Horamen | | Quito, Ecuador: Museo de Arte Precolombino Casa del Alabado, 2017 | Monographs |
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| Work - Zarouhie Abdalian | | | Los Angeles: LA>< ART, 2017 | Monographs |
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| Siah Armajani | Follow this line | | Minneapolis: Walker Art Center, 2018 | Monographs |
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| The other country | (L'autre pays) | | Berlin: Sternberg Press, 2018 | Monographs |
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| Helke Bayrle | Portikus under construction 1992-2016 | | London: Sternberg Press, 2017 | Monographs |
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| John Stezaker | Lost world | | London: Ridinghouse, 2017 | Monographs |
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| A history of the world as it has become known to me | | | Berlin: Sternberg Press, 2018 | Monographs |
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| Club univers | | | Berlin: Sternberg Press, 2016 | Reference |
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| I see words, I hear voices | | | Berlin: Sternberg Press, 2015 | Monographs |
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| American tan | | | London: White Cube, 2007 | Monographs |
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| The map and the territory | | | London: MACK, 2018 | Monographs |
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| Our ideas | | | London: Pace Gallery, 2018 | Monographs |
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| Frantic | | | Milan: Humboldt Books, 2017 | Monographs |
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| To fix the image in memory | | | San Francisco: San Francisco Museum of Modern Art, 2018 | Monographs |
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| Liz Deschenes | | | Boston: The Institute of Contemporary Art/Boston, 2016 | Monographs |
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| Photography at MoMA | 1840–1920 | | New York City, New York: The Museum of Modern Art, 2017 | Reference |
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| Richard Maxwell and New York City players | The theater years | | New York: Westreich Wagner, 2017 | Monographs |
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| Picture industry | A provisional history of the technical image 1844-2018 | | Zürich: JRP Ringier Kunstverlag, 2018 | Reference |
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| Exhibition, design, participation | 'an Exhibit' 1957 and Related Projects | | London: Afterall Books, 2016 | Reference |
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| Atlas, plural, monumental | | | Houston, TX: Contemporary Arts Museum, Houston, 2017 | Monographs |
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| Photo-poetics | An anthology | | New York City, New York: Guggenheim Museum Publications, 2015 | Reference |
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| Politics of study | | | London, United Kingdom: Open Editions, 2015 | Reference |
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| Double life | | | Houston, TX: Contemporary Arts Museum, Houston | Reference |
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| Volume 57, Issue 10 | | | New York, NY: Artforum International Magazine, Inc., 2019 | Periodicals |
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| Volume 26, Issue 2 | | | New York, NY: Artforum International Magazine, Inc., 2019 | Periodicals |
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| Tolstoyevsky | Issue 10 | | London: Book Works, 2018 | Periodicals |
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| Issue #67 | | | Milan: Contrappunto s.r.l., 2019 | Periodicals |
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| Volume 41, Issue 11 | | | London: London Review of Books, 2019 | Periodicals |
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| The contemporary condition | Contemporary research initiative | | Berlin: Sternberg Press, 2018 | Reference |
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| Peter Saul | | | Köln: Snoeck Verlag, 2017 | Monographs |
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| Bühnenbilder | | | Amsterdam, NL: Roma Publications, 2019 | Monographs |
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