| Jill Johnston | The disintegration of a critic | | Bergen: Bergen Kunsthall, 2019 | Monographs |
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| Marcel Duchamp, the box in a valise | de ou par Marcel Duchamp ou Rrose Selavy: inventory of an edition | | New York: Rizzoli International Publications, Inc.;, 1989 | Monographs |
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| Dan Flavin | The architecture of light | | New York: Guggenheim Museum Publications, 1999 | Monographs |
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| Volume 41, Issue 17 | | | London: London Review of Books, 2019 | Periodicals |
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| Mark Rothko | The decisive decade 1940-1950 | | New York: Skira Rizzoli Publications, Inc., 2012 | Monographs |
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| Barbara Chase-Riboud | The Malcolm X steles | | Philadelphia, PA: Philadelphia Museum of Art, 2013 | Monographs |
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| Volume 58, Issue 1 | Fall Preview | | New York, NY: Artforum International Magazine, Inc., 2019 | Periodicals |
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| Book of love | | | Jon Leon (self-published), 2019 | Reference |
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| Robert Filliou | The secret of permanent creation | | Antwerp: M HKA, Museum of Contemporary Art Antwerp, 2017 | Monographs |
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| The Halifax Conference | | | Halifax: NSCAD, 2019 | Reference |
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| Volume I, Volume II, Volume III | | | Paris: &: Christhope Daviet-Thery, 2017 | Monographs |
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| Volume 41, Issue 16 | | | London: London Review of Books, 2019 | Periodicals |
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| Volume 41, Issue 15 | | | London: London Review of Books, 2019 | Periodicals |
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| Volume 52, Issue 326 | | | Milan, Italy: Flash Art Srl., 2019 | Periodicals |
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| Energy structures | Volume 43, Issue 1 | | Atlanta, GA: Atlanta Art Papers, Inc., 2019 | Periodicals |
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| Stories of almost everyone | | | Los Angeles: Hammer Museum, University of California, 2018 | Reference |
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| Obstinacy of things | Still life in photographic concepts of the present | | Vienna: Kunst Haus Wien, 2018 | Reference |
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| Nothing and everything | Seven artists, 1947-1962 | | New York City: Hauser & Wirth Publishers, 2017 | Reference |
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| Bauhaus journal 1926-1931 | | | Zürich: Lars Müller Publishers, 2019 | Reference |
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| Works and words | International art manifestation Amsterdam | | Amsterdam: De Appel, 1980 | Reference |
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| Puddle, pothole, portal | | | Long Island: SculptureCenter, 2014 | Reference |
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| Pleasure | Volume 35 Issue 4 | | Toronto: Canadian Art Foundation, 2019 | Periodicals |
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| Speculations on anonymous materials, nature after nature, inhuman | | | London: Koenig Books, 2018 | Reference |
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| Volume 4 Issue 4 & Volume 5 Issue 1 | | | Toronto: Canada Council; Ontario Arts Council; Garnet, Eldon, 1975 | Periodicals |
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| Volume 4 Issue 2 | | | Toronto: Canada Council; Ontario Arts Council; Garnet, Eldon, 1975 | Periodicals |
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| Imannam | | | São Paulo: PivഠArte e Pesquisa, 2018 | Reference |
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| High and low | Modern art, popular culture | | New York, NY: Museum of Modern Art, 1990 | Reference |
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| v.0 i.16 | | | Taichung City: White Fungus, 2019 | Periodicals |
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| Volume 41, Issue 14 | | | London: London Review of Books, 2019 | Periodicals |
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| Counter-signals #1 | Militant print: a form oriented toward its own circulation | | Chicago: Other Forms, 2017 | Periodicals |
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| Magnetic fields | Expanding American abstraction, 1960s to today | | Kansas City: Kemper Museum of Contemporary Art, 2017 | Reference |
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| Smile! You are in Spain studio | | | Portugal: Madragoa Gallery, 2018 | Monographs |
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| Plant volatiles | | | Berlin: BQ, 2016 | Monographs |
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| Journeys without arrivals | | | Eindhoven: Van Abbemuseum, 2017 | Monographs |
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| The mastication of Alina Szapocznikow | | | Vancouver, BC: Blank Cheque Press, 2018 | Monographs |
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| Carnegie International 1999/2000 | Artists' reader | | Pittsburgh: Carnegie Museum of Art, Carnegie Institute, 1999 | Reference |
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| Political practices of post-Yugoslav art | | | Belgrade: Prelom kolektiv | Reference |
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| Border crossings | Issue 146 | | Winnipeg: Arts Manitoba Publications, 2018 | Periodicals |
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| On ptg | | | Manawa: Poor Farm Press, 2012 | Monographs |
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| Why did the chicken cross the road? | Original jokes about the Suburban and Poor Farm by artists who have exhibited there | | Manawa: Poor Farm Press, 2012 | Monographs |
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