| The run home book | | | Zurich: Nieves, 2014 | Monographs |
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| On an iron post | | | Los Angeles, CA: Hesse Press, 2017 | Monographs |
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| In part | Writings by Julie Ault | | New York, NY: Galerie Buchholz, 2017 | Monographs |
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| New address | | | Rome: NERO, 2017 | Monographs |
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| Memorandum | Bat project I, II, III, 2001 - 2004, & Supplement | | Köln: Verlag der Buchhandlung Walther König, 2016 | Monographs |
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| Reading / feeling | | | Amsterdam, NL: If I Can't Dance, I Don't Want To Be A Part Of Your Revolution, 2013 | Reference |
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| Never | | | London: Koenig Books Ltd, 2016 | Monographs |
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| Why not? | | | Chicago, IL: Corbett vs Dempsey, 2015 | Monographs |
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| Eva Hesse | | | New York, NY: New York University Press, 1976 | Monographs |
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| Human scale | | | San Francisco, CA: Museum of Modern Art, 1984 | Monographs |
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| Free HBO | | | [s.l.]: [s.n.], 2017 | Monographs |
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| American modern | Selections from the Ione and Hudson D. Walker Collection, Frederick R. Weisman Art Museum | | Minneapolis, MN: Frederick R. Weisman Art Museum, 2006 | Monographs |
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| Notebooks 1967-70 | | | New York, NY: Hauser & Wirth, 2017 | Monographs |
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| Memory ware | A survey | | New York, NY: Hauser & Wirth, 2017 | Monographs |
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| Ornamental hysteria | | | London: Other Criteria, 2017 | Monographs |
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| Cash for gold | Nina Beier | | Milan: Mousse Publishing, 2016 | Monographs |
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| Peter Cain | | | New York, NY: Matthew Marks Gallery, 2017 | Monographs |
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| The new concrete | Visual poetry in the 21st Century | | London: Hayward Publishing, 2015 | Reference |
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| Merced es benz | | | London: Book Works, 2017 | Reference |
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| Paranomia | | | Leipzig: Spector Books, 2016 | Monographs |
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| Being, in a state of erasure | | | London: Book Works, 2017 | Monographs |
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| Future imperfect | Contemporary art practices and cultural institutions in the Middle East | | Berlin: Sternberg Press, 2016 | Reference |
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| Skulptur Projekte Münster 2017 | | | Leipzig: Spector Books, 2017 | Reference |
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| Huun | Art/thought from Mexico | | Mexico City: Editorial RM, 2016 | Reference |
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| Hotel theory reader | | | Vancouver: Fillip Editions, 2016 | Reference |
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| Joan Jonas is on our mind | | | San Francisco: CCA Wattis Institute for Contemporary Arts, 2017 | Monographs |
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| Pontus Hultén and Moderna Museet | The formative years | | Stockholm: Moderna Museet, 2017 | Reference |
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| Secession | | | Vienna: Secession, 2012 | Reference |
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| The exhibitionist | Journal on exhibition making, the first six years | | New York, NY: The Exhibitionist, 2017 | Reference |
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| 2 Février, 1861, Phung Víµ | Catalogue raisonné, January 20, 1861 - | | Bregenz: Kunsthaus Bregenz, 2012 | Monographs |
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| Städisches Museum Abteiberg Mí¶nchengaldbach | Illustrations and comments | | Mönchengladbach: Städisches Museum Abteiberg, 2002 | Reference |
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| A suspenseful picture. A sexy picture. A sickening picture. | | | Düsseldorf: Studio for Propositional Cinema, 2015 | Monographs |
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| Jason Fox | | | New York, NY: Canada, 2017 | Monographs |
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| Fuck Seth Price | | | New York, NY: Leopard Press, 2015 | Monographs |
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| Early work | | | New York, NY: Zwirner & Wirth, 2008 | Monographs |
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| G-L-O-R-I-A | | | Cleveland, OH: The Cleveland Museum of Art, 2015 | Monographs |
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| The all-over | | | Brooklyn, NY: Dancing Foxes Press, 2017 | Monographs |
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| Soul of a nation | Art in the age of black power | | New York, NY: Distributed Art Publishers, Inc., 2017 | Reference |
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| ARTISTCLUB | | | Vienna: Verlag für moderne Kunst, 2016 | Monographs |
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| Go to hell or Atlanta, whichever comes first | | | London: Victoria Miro, 2015 | Monographs |
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