| Issue 193 | | | London: frieze, 2018 | Periodicals |
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| Volume 40, Issue 6 | | | London: London Review of Books, 2018 | Periodicals |
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| Give posters a try | | | Copenhagen: Kunsthal Charlottenborg, 2013 | Oversized |
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| Masterworks | | | New York, NY: Distributed Art Publishers (D.A.P.), 2017 | Oversized |
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| Gerhard Benedikt Friedl: | An approach by Helmut Färber | | Berlin: Harun Farocki Institut, 2017 | Reference |
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| Harun Farocki: before your eyes: Vietnam | commentary, document, material | | Berlin: Harun Farocki Institut, 2017 | Reference |
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| Fall Frum Grace, Miss Pipi's Blue Tale, Six Miles from Springfield on the Franklin Road ... calling to me from the angry surface of some grey and threatening sea, 8 Possible Beginnings or The Creation of African-America, a Moving Picture by Kara E. Walker, Testimony | Narrative of a Negress Burdened by Good Intention | | Warsaw: f.o.r.t.e. Foundation and the Ujazdowski Castle Centre for Contemporary Art, 2011 | Monographs |
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| Bad visual systems | Ruth Buchanan, Judith Hopf, Marianne Wex | | Wellington, NZ: Adam Art Gallery, 2017 | Reference |
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| Follow me | | | Milan: Humboldt Books, 2015 | Monographs |
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| In Italy it's called department store at night (five impossible films I) | The rest of the world knows it as postcard & death certificates | | Milan: Mousse Publishing, 2013 | Reference |
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| Bathhouse quackeries 2018 | | | Berlin: Motto Books, 2018 | Monographs |
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| Christa Blümlinger, Harun Farocki | The ABCs of the essay film | | Berlin: Harun Farocki Institut, 2017 | Reference |
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| Funnelflux | | | Amsterdam, NL: Roma Publications, 2017 | Monographs |
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| Rokin fountain | | | Amsterdam, NL: Roma Publications, 2017 | Monographs |
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| The situation | | | London: Chisenhale Gallery, 2017 | Monographs |
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| An accompaniment to | Let's walk together | | Mexico City: Insituto Nacional de Bellas Artes, 2016 | Monographs |
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| Documents / 1996-2005 | | | Kitakyushu, JP: Center for Contemporary Art, CCA Kitakyushu; Gendai Bijutsu Sentā CCA Kitakyushu, 2005 | Monographs |
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| The youth | Portraits of young Somali men, a visual narrative | | Skien, Norway: Telemark Kunstsenter, 2017 | Boxes |
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| Singular / plural | Collaborations in the post-pop-polit-arena, 1969 - 1980 | | Düsseldorf: Kunsthalle Düsseldorf gGmbH, 2017 | Reference |
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| Liquid Antiquity | | | Geneva: The DESTE Foundation for Contemporary Art, 2017 | Reference |
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| Eyes should be washed | | | Minneapolis, MN: Pirsig Projects, 2017 | Reference |
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| Fear Indexing the X-Files | | | Brooklyn, NY: Primary Information, 2017 | Monographs |
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| Private book 2 | | | New York, NY: Karma, 2017 | Monographs |
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| Lee Bontecou | | | London: Koenig Books Ltd, 2017 | Monographs |
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| Mythologies | | | Sheboygan, WI: John Michael Kohler Arts Center, 2017 | Monographs |
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| Midnight and noon | | | New York, NY: David Zwirner Books, 2016 | Monographs |
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| Black Dada reader | | | London: Koenig Books Ltd, 2017 | Monographs |
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| The run home book | | | Zurich: Nieves, 2014 | Monographs |
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| On an iron post | | | Los Angeles, CA: Hesse Press, 2017 | Monographs |
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| In part | Writings by Julie Ault | | New York, NY: Galerie Buchholz, 2017 | Monographs |
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| New address | | | Rome: NERO, 2017 | Monographs |
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| Memorandum | Bat project I, II, III, 2001 - 2004, & Supplement | | Köln: Verlag der Buchhandlung Walther König, 2016 | Monographs |
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| Reading / feeling | | | Amsterdam, NL: If I Can't Dance, I Don't Want To Be A Part Of Your Revolution, 2013 | Reference |
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| Never | | | London: Koenig Books Ltd, 2016 | Monographs |
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| Why not? | | | Chicago, IL: Corbett vs Dempsey, 2015 | Monographs |
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| Eva Hesse | | | New York, NY: New York University Press, 1976 | Monographs |
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| Human scale | | | San Francisco, CA: Museum of Modern Art, 1984 | Monographs |
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| Free HBO | | | [s.l.]: [s.n.], 2017 | Monographs |
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| American modern | Selections from the Ione and Hudson D. Walker Collection, Frederick R. Weisman Art Museum | | Minneapolis, MN: Frederick R. Weisman Art Museum, 2006 | Monographs |
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| Notebooks 1967-70 | | | New York, NY: Hauser & Wirth, 2017 | Monographs |
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