| Cerith Wyn Evans | | | London: Koenig Books Ltd, 2014 | Monographs |
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| Hanne Darboven | enlightenment--time histories, a retrospective | | Munich: Haus der Kunst, 2015 | Monographs |
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| At the intersection of painting and photography | | | London: Black Dog Publishing, 2012 | Monographs |
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| A handbook | | | Ostfildern: Hatje Cantz Verlag, 2015 | Monographs |
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| Auto body collision | | | Pittsburgh, PA: Carnegie Museum of Art, 2015 | Monographs |
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| Joyce Pensato | The godmother | | Chicago, IL: Corbett vs. Dempsey, 2016 | Monographs |
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| Erin Shirreff | | | Buffalo, NY: Albright-Knox Art Gallery, 2015 | Monographs |
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| Armenie ville | | | Ostfildern: Hatje Cantz, 2016 | Monographs |
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| 1/2 an Autobiography | Sourcebook | | London: Koenig Books Ltd, 2014 | Monographs |
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| Foregrounds, distances | | | Berlin: Sternberg Press, 2015 | Monographs |
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| Zodiac nudes | | | Koln: Galerie Daniel Buchholz, 2016 | Rare / Fragile Mono |
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| La primavera, le printemps | Some time-specific works in city neighborhoods '68 | | Köln: Verlag der Bucchandlung Walther König, 2005 | Monographs |
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| Photographs | | | New York, NY: Matthew Marks Gallery, 2016 | Monographs |
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| [Inaudible] | A politics of listening in 4 acts | | Berlin: Sternberg Press, 2016 | Monographs |
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| Parrot problems | | | London: Koenig Books Ltd, 2015 | Monographs |
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| Al-ugh-ories | | | New York, NY: New Museum, 2016 | Monographs |
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| Boundless | | | Ostfildern: Hatje Cantz Verlag, 2015 | Monographs |
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| Sudden glare of the sun | | | St. Louis, MO: Contemporary Art Museum St. Louis, 2013 | Monographs |
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| Workshop for the restoration of unfelt feelings | | | Riga: The Latvian Centre for Contemporary Art, 2016 | Monographs |
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| Zero | | | Köln: Verlag der Bucchandlung Walther König, 2015 | Monographs |
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| The forever now | Contemporary painting in an atemporal world | | New York, NY: The Museum of Modern Art, 2015 | Reference |
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| Parallel occurrences / documented assignments | | | Aspen, CO: Aspen Art Press, 2010 | Monographs |
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| What's wrong with redistribution? | | | Köln: Verlag der Bucchandlung Walther König, 2015 | Monographs |
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| It is almost that | A collection of image+text work by women artists & writers | | Los Angeles, CA: Siglio, 2011 | Reference |
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| Writings | | | New York, NY: Judd Foundation, 2016 | Monographs |
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| Culturefield | | | London: Koenig Books Ltd, 2014 | Oversized |
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| Site Visit | | | London: Koenig Books Ltd, 2015 | Monographs |
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| Forged Steel | | | New York, NY: David Zwirner, 2016 | Monographs |
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| Gerhard Richter: catalogue raisonné | Volume 4: nos. 652-1 - 805-6, 1988-1994 | | Ostfildern: Hatje Cantz, 2015 | Monographs |
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| Today we should be thinking about | | | London: Koenig Books Ltd, 2015 | Reference |
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| No baddies | | | Minneapolis, MN: s.n., 2016 | Monographs |
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| Degenerate art | The exhibition catalogue guide in German and English | | Burlington, IA: Ostara Publications, 2012 | Reference |
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| Rosemarie Trockel | | | Köln: Wienand Verlag, 2000 | Monographs |
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| The secret of life and death | Volume 1, 1969-1984 | | Los Angeles, CA: The Museum of Contemporary Art, 1985 | Monographs |
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| Douglas Huebler | | | La Jolla, CA: La Jolla Museum of Contemporary Art, 1988 | Monographs |
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| 1887-2058 | Dominique Gonzalez-Foerster | | New York, NY: Prestel, 2016 | Monographs |
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| Extended caption (DDDG) | | | Amsterdam: Roma Publications, 2009 | Monographs |
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| Martin Kippenberger | | | London: Tate Publishing, 2006 | Monographs |
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| I, impostor | British Pavilion, 54th International Art Exhibition - la Biennale di Venezia 2011 | | London: British Council, 2011 | Monographs |
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| This will have been | Art, love & politics in the 1980s | | Chicago, IL: Museum of Contemporary Art Chicago, 2012 | Reference |
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